This Floating Poo Was Far Too Symbolic! These Are the TV Disappointments of the Past Year.

Looking back, we consider the TV offerings of the past year, a handful of series stand out not for their excellence, but for their spectacular shortcomings. Ranging from awkward sequels to confusingly bad documentaries, here are the programmes that left us utterly bewildered or simply reaching for the remote.

The 'Sex and the City' Sequel

How to start with this divisive follow-up? Burdened with woeful writing, cringe-inducing character development (we demand better for Miranda!), and a paltry 71 seconds of beloved Samantha, the series struggled to justify its existence. For a moment, as the final series began, it looked like it had at last found its groove. Then arrived an installment all about Seema’s natural deodorant. Little surprise the showrunner announced this would be the final season. It concluded on a low point; the closeup of Miranda’s toilet flooded with poo was simply too on-the-nose. Still, fans certainly found joy dissecting every single “wtf?” moment. And as Carrie – a single woman once more – twirled around her palatial townhouse to Barry White, who couldn't let out a small sob?

The Kim Kardashian Drama

‘Can Kim Kardashian act? The answer is a resounding no.’

But that was practically the least of this show's problems. The subject of a exceedingly uncommon zero star assessment, it was difficult to know where to start listing the flaws. The laughably wooden dialogue? The tedious glorification of affluence and materialism? The seemingly wilful procession of cliches? Acting so poor they felt almost malicious? Suffice it to say “all of the above” and never speak of this show again. Except, a second season has been ordered, so we’re likely going to have to.

The Charlie Sheen Documentary

Given the restraining orders, domestic violence claims and parental shortcomings, it’s fair to say Charlie Sheen has been a troubled figure. Not that you’d really have known it from this multi-part documentary which chuckled along at Sheen’s various bouts of reckless excess while struggling to tell us a single thing we weren't already aware of. Instead, it felt as if this loose cannon was being pandered to, so any pity this series might induce should be saved for the people who have had to suffer proximity with this charismatic but dismissive egotist.

The Iris Affair

Of course we knew it was ridiculous from the outset: a thriller about a supercomputer known as Charlie Big Potatoes that could either solve global crises – or annihilate all of humanity. We stuck with it out of pure love for its stars … but by the end, it felt like even they had stopped bothering. One barely cared when his character died, and the other ended up slicing Charlie with an axe … in super slow-motion. Talk about admitting defeat.

MobLand

Dodgy characters meeting in deserted boxing gyms? The Prodigy’s Firestarter blaring in club scenes? The late 90s called and wants its crime drama back.

Actually, that is harsh on the gangland dramas of the late 90s. Many seem a little old-fashioned now, but at least they didn’t suffer the ignominy of having to indulge unconvincing accents. But there were plenty of other problems. Mainly that it was just profoundly boring; a dispute over drug-selling territory between various London picaresques which seemed rather simplistic.

With Love, Meghan

Given the degree to which she provokes the ire of the nation’s performatively angry commentators, it’s temptingly easy to admire the Duchess of Sussex’s televised forays into quaint homemaking as intentional provocations. But then you watch them and are forced to concede that in this case, they may have a point. It’s like watching a homeware catalogue come to life; a meme for wine o’clock with delusions of grandeur; a procession of snoozing dogs, buzzing beehives, sentimental platitudes and forgettable crafting “hacks” you’ll not remember instantly. All underpinned by vast, largely undeserved wealth. Ugh.

Victoria Beckham

There are clearly interesting things to be discussed about regarding Victoria Beckham and her journey with career, self-image, self-worth. But for whatever reason, this three-part series chose not to say them. Rather, the experience was like consuming a sales catalogue. She obviously has every right to resent what she describes as her “miserable cow” image. But unfortunately, she didn’t do herself any favours with this cagey letdown of a series.

The Game Show

It should have been the next cultural phenomenon – except even camper, with a famous star as a deceased benefactor and a well-known personality managing her inheritance. What more could you want? As players battled it out, there was plenty of betrayal and squabbling. But the rules quickly became bewildering: it’s even now too confusing to explain what precisely was happening. Even more regrettably, we only saw glimpses of the star via prerecorded videos. The show ended up smelling of a programme that was straining desperately to live up to something far greater than it.

The Lena Dunham Romcom

How does one follow a show that captured a generation? The pressure was immense for this starry romantic comedy about Jessica, a hopeful New Yorker who arrives in London with a broken heart. The star took her biggest role by the horns and was a delight to watch, reveling in Jane Austen levels of romantic ideals. But it was all very slick and, ironically, was insufficient. Plus, the sheer amount of famous cameos involved felt icky.

The Sketch Show Return

Not good enough to be ‘uneven’.

Given the smart recruitment of gifted emerging comics, hopes were high. But sadly, most of it fell flat. A recurring sketch was a single joke milked to a dry pulp but recurring in every episode. One star seemed too ready to slip into a familiar irate mode. The behind-the-scenes sketches, meanwhile, simply inspired the idea that they should probably have stayed in there a while longer.

The Twisted Tale of Amanda Knox

This retelling of the story of Amanda Knox was overseen by Amanda Knox and pretty much solely showcased the perspective of Amanda Knox. So, while there probably is an compelling drama to be made about the tragic 2007 murder, this was not it. The material needed to be handled sensitively. Rather, the series laboured awkwardly to find the right voice, lurching from oddly jaunty, somewhat stylised farce to ultimately, real-life horror. Twisted? Arguably. A total mess? Absolutely.

Prime Target

We love the star … but did we believe him playing the greatest maths genius in history, a man so smart he’s on the brink of a discovery that could ruin society? No! This international thriller about secret services spying on – and eliminating – academics frankly got more absurd by the second. Formulaic nonsense.

1000 Men and Me: The Bonnie Blue Story

This uncritical portrait followed the content creator notorious for sexual exploits as she undertook her most extreme challenge yet. What on earth would motivate her? What we craved was far greater examination of her actual psychology, plus those of the men in the line. They could at least have spoken to the now-famous mum who showed up to drag her son out of the queue. What we got was disturbing imagery and zero critical analysis of her notoriety whatsoever. It's staggering to consider, the documentary-maker has a teenage daughter too.

Kevin Goodman
Kevin Goodman

A tech enthusiast and writer passionate about exploring how innovation shapes everyday life, with a background in digital media.